I am a theatre maker, specialising in direction, movement, and intimacy. Passionate about reimagining historical works through a contemporary lens, I strive to create dynamic, ensemble-driven theatre that resonates deeply with audiences.
With a love for comedy and rhythm, I bring playful energy to my work, using the beats of humour and movement to enrich the narrative. I am committed to cultivating a safe, respectful environment for staging intimacy, where trust and collaboration thrive.
Whether crafting intricate choreography or shaping moments of vulnerability, I focus on practices that honour authenticity, connection, and creativity.
My collaborative approach, supported by strong organisational skills and adaptability in complex production environments, fosters a creative process that prioritises consent, confidence, and creativity.
My work spans both professional and community casts, aiming for high-quality productions that offer an exceptional theatrical experience. My interests range from devised pieces to classic revivals, driven by an exploration of layered human behavior through playful, movement-based storytelling.
With a broad background in dance and movement, I value individual and ensemble expression, blending style with freedom. I thrive in collaborative, compassionate settings that nurture experimentation and creativity.
In addition to my stage work, I’m excited to bring my skills to screen, exploring opportunities to translate physical storytelling and nuanced performance into the world of film and television.
Open to new projects, I’m interested in collaborative opportunities in the UK and internationally.
Alongside my expertise in directing, movement directing, and intimacy direction, I bring a broad range of skills to the world of stage management and arts administration. As an Assistant Stage Manager, I have gained significant experience supporting rehearsals, working closely with Deputy Stage Managers , and attending production meetings, especially within touring productions where logistics and adaptability are crucial.
In addition to my core responsibilities, I have managed rehearsals in the absence of the DSM, ensuring that the rehearsal process continues to run smoothly and efficiently. This has involved proactive communication with the cast and creative team, organizing schedules, and addressing any challenges that arise in real-time.
My skill set extends beyond the rehearsal room:
I bring a diverse set of skills to every project, supporting not just the creative elements but also the operational and logistical needs that make a production successful.
Yasmin Hafesji, Theatre Director
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